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Converging Into The Sweaty Masses.

Posted Monday, April 28th 2008 by Mike Delancett

So I stepped on down to The Social last night and, after making it through a thorough security check, found myself sweating in one of the most packed houses I’ve ever been privy to. And they say the Orlando metal scene is dead.

 

Despite the lack of elbow room (and a few awkward and occasionally foul scented bumps), I slid in just in time to catch the last half of a set by Coliseum, who left me extremely impressed. The crystal clear sound let both the bellow and crunch of Singer / Guitarist Ryan Patterson roar through the air, and though the audience seemed at times unsure what to think, you can be assured this writers boots were shaken. Likewise, the creative and moody work of Chris Maggio on drums surely puts the band right at home on their other dates featuring Baroness.

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Genghis Tron was as delightful as a sci-fi cluster-fuck can be. A touch out of place on the line up, it definitely felt a bit compensatory that their stage show featured such extreme lighting and effects to the literal effect of a Red vs. Blue battle.  However, the brutal low end drive and technical proficiency of guitarist Hamilton Jordan definitely steered it a good bit away from a Skinny Puppy tribute, and more into the metal realm. I would love to have seen this band on tour with The Dillinger Escape Plan. I don’t think I’ll ever get used to blast-beats coming from a keyboard though.

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It seems quite fortuitous for my trusty Nikon that I stepped off the floor to get some air, as the awesome power that is The Red Chord had fans churning during sound check alone. Though sound was decidedly less pristine for the first few songs, I challenge anyone to find a more masculine metal icon than guitarist Mike Mckenzie, who would give a Grizzly Bear a run for its money, in both roar and stage demeanor. Definitely the most likeable band of the evening, they recounted some particularly amusing tales of past performances to empty rooms in Orlando, an appreciated and humble reminder to support local and independent musicians.

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The raw energy of Converge vocalist J. Bannon inspired such a massive pit that at times I had to wonder if the venue was going to be torn down piece by piece. Grown men literally pawed at the singer so frantically that a few actually became entangled in the microphone cable, like rabid Britney fans trying to steal a piece of clothing. The sheer level of audience interaction (not to mention the mind numbing number of times he bounced across the stage) made for an amazing show true to the spirit of hardcore, and putting everything on the line for your art.

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-Mike DeLancett 

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Murder By Death...murders it!

Posted Wednesday, April 16th 2008 by Mike Delancett

    So I finally got a chance to catch Murder By Death the other night, and I must say I was duly impressed. Being a long time fan of the band, I could kick myself for missing some of their earlier treks through town. Despite sound being a little shaky behind the console, the performance was lively, intense, and about as moving as songs about zombie children can be.


    For those of you not acquainted with Murder By Death, their music is a unique blend, that is 3 parts whiskey, 1 part depression, and 2 parts punch the piano player, in a saloon full of pirates. Interesting stuff to say the least. The unique blend came together particularly well set against the backdrop of Orlando’s Backbooth (which is full of rustic furniture, and bar stools, and a good bit darker than most venues). Vocalist Adam Turla (who looks an awful goddamn lot like a younger Hugh Jackman), spent the evening equally channeling Johnny Cash and Glenn Danzig to great effect, telling tales that are best described as a sci-fi-spaghetti-western, written by Frank Miller. Likewise, the accompaniment of Sarah Balliet on cello and keys, magically transformed down tempo Queens Of The Stone Age riffs, into spindly Santeria dirges.

    Not to be outdone, both opening acts, Kiss Kiss and O’Death put on respectable shows that were both complimentary, but notably different from the headliners. The former easily won a new fan with their chaotic blend of shoegaze, progressive riffs, string arrangements, and raw punk energy. O’Death quieted any mind that might question if large bearded men should play teeny tiny instruments, and still be decreed to rock as well.

 If you haven't already, check out REAX's interview with Murder By Death, in this months issue!

Oh, and I snapped these cool pics as well - Mike DeLancett

 

Murder By Death Vocalist Adam Turla w/ REAX

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Murder By Death Cello/Keys, Sarah Balliet

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Murder by Death Vocalist Adam Turla

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Kiss, Kiss

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O'Death

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